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Authors: Nadine Gordimer

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There are many kinds of consolation. Not all can be orthodox, in the ritualistic or other, social, sense. Before the invisible
bird lifted off as capriciously as it had settled, the Ambassador sometimes came to her room late at night and slid into her bed. He was breathing fast, with fear as much as passion; yet the moment he felt her small warm solidity he was sure no-one would discover them. She was proof against his recklessness; at the same time he was sure, in contradiction: she would go without fuss, if Marie-Claude found him out. It was a scandal, of course, among the white community, who followed the appearance of such phenomena through the spy-glass of their mores: a tranquil household, a whole family content, in its way, as few families ever are.

Credentials

The men who had shared pap and cabbage with her at Ma Sophie's went to Algeria and the Soviet Union instead of China, now. Alliances changed; she moved on.

It may have been because she was back in a country where she could speak her own language and therefore range more widely, but she is difficult to keep track of once the Ambassador's extended family moved yet again and settled in his next West African posting. So there is another lacuna; she is somewhere, of course, in momentary glances stored in those who must have passed her in the streets of Accra on a Saturday, colliding as she jostled between the mammy wagons and the street vendors' jingling dinner-bells, the shouts and the splurt of tyres through overflowing drains, but there is little to attach in a contiguous, concrete identity. Her good friends in Dar es Salaam had no word. The passport her Aunt Olga carried was not recognized in the African countries Olga overflew on her way to Israel or Europe; anyone in that blank bush down there between the clouds was lost. Pauline would have written if she had known where to find her niece, as she would have sought out Ruthie. Carole once made the suggestion that enquiries might be made through the African National Congress—that idea surely could not have been little Carole's own; could Sasha have been behind it? But Sasha never spoke of his cousin, he was bored by family connections, and now that his schooldays were over, lived at home in Pauline's presence like an estranged lover, turning away from her assertion of their bonds as affines and spending all his time with friends made at the university. As he had predicted, his name had come up in the
ballot; but Joe arranged a deferment of military service. Joe had Afrikaner nationalist colleagues whom, although they knew he and his big-mouthed wife disagreed with them politically, professional buddyhood obliged to put in a word for his son. Carole's suggestion was out of the question (typically Sasha). The ANC was a banned organization with which any connection that could be traced was treasonable; its leaders from the Lilliesleaf house-party had been sentenced to life imprisonment, and the only man who might have been trusted with such an enquiry, the advocate Bram Fischer—whom Joe, like everyone who abhorred racism, loved and admired but would not go so far as to emulate—had been arrested, gone Underground, been recaptured and sentenced to life imprisonment, declaring that his conscience didn't permit him to recognize laws enacted by a body in which three-quarters of the people of the country had no voice. In any case, Pauline was dourly, depressedly amused by the romantic notion that Hillela was a revolutionary. More likely she had fallen on her feet in some way: Pauline never saw her as Olga did, as lost—Hillela was not the helpless Ruthie. After all, hadn't she had the advantage of being brought up to independence and self-respect along with Pauline's own children? There was nothing vulnerable in that persistent image of the girl lying beside, the trembling schoolboy, composed in a—distorted, wrong—manifestation of the self-respect she had been taught.

Hillela herself, as they knew her, disappears in the version of a marriage that has a line in the
curriculum vitae
devoted to Whaila Kgomani in a
Who's Who
of black 20th-century political figures.
In 1965 he married in Ghana, and had a daughter
. From this accident of geography reports assume he married a Ghanaian; a suitable alliance with a citizen of the first country in modern Africa to gain independence, a citizen of Nkrumah's capital. With the fall, the following year, of the father of Pan-Africanism, the concept upon which black political exiles everywhere were dependent for
their shelter, and the disarray of Umkhonto We Sizwe through police infiltration, back at home, exiles themselves had no heart to bother about which of them found consolation with (or even married) which girl. That this one was white and South African was slow to filter to those far away for whom such details had a gossip-column interest not extended to the great and terrible events happening in their midst and on the shared continent they overflew.

The girl is mother to the woman, of course; she has been acknowledged. In fact, the woman has generally chosen to begin her existence there, when asked about her early life: —I was very young, working at an embassy in Accra when I met Whaila at a reception given by the late Kwame Nkrumah.—

Well, it's not impossible.

Though in conversation with Madame Sadat after the assassination of President Sadat, speaking as one who has known widowhood among so many other experiences, it was recalled differently: —You always remember the beginning, not the end. Fortunately. It was in Accra, a man passed me in the street and then turned around—Whaila: we recognized each other.—

Hillela was at least once taken to a reception at Christiansborg Castle, although by then Nkrumah's party was in decline, even the adoring market women—his brides, he called them—had turned against him, and he seldom appeared in public. But after the break-up of the united front of four South African liberation movements, the Nkrumah regime favoured the Pan Africanist Congress, not the African National Congress; it seems unlikely that Kgomani would have been a fellow guest. The Ambassador and his wife took her everywhere—no party was complete without her, it is said. And she did go about with zest in the gregarious uproar of Accra streets. On Saturdays she was regularly at one of the hotels where, about eleven in the morning, a high-life band began to play for the weekend; everyone drank beer and danced
among pretty prostitutes in wigs, children stuffing groundnuts, black businessmen in the company of the real financial establishment of the city, the huge female tycoons with their brilliant robes of plenty, sweat-gilded faces, weaponry of gold jewellery and imposingly planted feet. She may have sung and played the guitar in a nightclub; she would soon have picked up the West African beat. She does appear to have left the ambassadorial employ at some point before or not long after she began to be seen with the black South African revolutionary envoy; and she must have had to earn a living somehow.

The same kind of worn stairs. She went up that day while about town on an errand for Marie-Claude. As she approached the building she had passed many times without interest since being told some members of the organization—which did not yet have official representation—had an office there, that day she walked in as she might have turned aside into a shop that attracted her. Whether it was a sudden echo of the accents of Sophie's and Njabulo's flat, a flipping back of the pages of self, or whether it was a stir of something that couldn't be sickness for a ‘home' that was exile, she went up to be there, among the same posters and drawing-pin-stabbed cuttings, the framed Freedom Charter and photographs of the old Chief (of whom, a secret between them, she had the private picture of a stout black man in an army overcoat, met at dawn) and the younger leader whose voice Pauline had brought into the house on tape and who was now an even further-disembodied presence, looking down on second-hand filing cabinets from a distant prison island.

She did not know either of the two young men sitting in the room. She introduced herself through her familiarity with Njabulo, Sophie, Christa and the names of others who used to come to the flat; she had lived with them, it clearly was not a false claim. Yet the two were cautious, and not only because she was
white: because she was from back home. What had she come for? Who was it she'd come to see? No-one. —Just to say hello.—

It was dangerous to believe anything open, while holed up in refugee status where everything is ulterior. They stared past, willing her to go. Then someone walked in whom she did know. She began from that moment to have credibility of her own: he came back, the man who had appeared so black, so defined, so substantial from out of water running mercurial with light. He had come between them, a girl and man in the sea, paling them in the assertion of his blackness, bearing news whose weight of reality was the obsidian of his form. A slight acquaintance seems more than it was when two people meet again in an unexpected place. Although he had not acknowledged her when he rose from the sea, and she had only put in a word here and there in the conversations he had led at Ma Sophie's, he took her by the shoulders in greeting, shook her a little, comradely, and she was close enough to see the lines made by dealing with the white man, down from either side of his mouth, and the faint nicked scars near the ears made by blacks in some anterior life. —How did you find out I'd just arrived?— The shaking of her head, over the sweet warm drinks from a cupboard, became a sign to them both; she must have known without knowing. He was a man who did not laugh loosely but had a slow-developing strong smile when confirming something he was sure of.

He was not curious about her presence in the country; the norms of exile were constant displacement and emplacement on orders not to be questioned, or by circumstances over which the one in refuge had no control, either. The fact that she did have a refuge also gave her some credibility for him—what black man would believe a white girl would leave the luxuries of home without reasons valid for refuge? She wanted to introduce him to the people who had taken her in. But he had no use for diplomatic contacts with countries hostile to the organization, or which did
not have, at least, an enlightened group which campaigned on its behalf. —I don't know about their
country …
They've been wonderful to me.— And so, as Whaila (the white diminutives that diminished a black man in another way were being discarded, an African who spoke for his people before the United Nations Commission on Human Rights could not be called Johnny) assumed her loyalty to the cause, this became assumed by her as the reason for her presence, and the fact that the Ambassador's family had taken her in both confirmed that she was an exile and that her protectors had some humanistic partisanship that might be useful. There followed a period when Whaila Kgomani was something of a prize guest. Emile and Marie-Claude did not usually entertain blacks other than those who were unavoidable through protocol—members and officials of Nkrumah's government, and the representatives of other black states. —What pleasure is there? I don't see the point of mixing just because they are black. What can you talk about with them? They serve us up the platitudes they think we want to hear because that's what white people taught them. You never know what they think. Never give anything of themselves …—

Marie-Claude had a correction for her husband, this time. —Except when they are dancing. Or drunk.— She enjoyed the occasional boldness of one who didn't know or chose not to know that European custom confines men and women to partners within their own party at a nightclub, and with a smile and flourish no-one could take offence to, sauntered her off into the rhythmical mob.

But this man from the south of the continent—her husband himself was the one who said it—he was a man with an intellect. —They may treat them badly down there in your country, Hillela, but it seems to sharpen their minds, mmh?— (The Ambassador always aimed exactly the right tone of banter at her, at the family table.) This one did not need wine to loosen his tongue but he
knew how to drink it in a civilised manner, not swilled down because it was provided, free, by a white. His look, narrow eyes decoding the appearances of an embassy room, was not beguiled by the knick-knacks of European power—the coat-of-arms table silver, the humidor in which cigars were wheeled in, the royal portrait in which the face of the current incumbent fitted into the cut-out of medals and braid like the faces of revellers who have themselves photographed at a fairground. There was no predictable rhetoric, either. Hillela's compatriot stood before the portrait, turned with the battle-lines of his mouth curving a civil smile. —That must be a great-great-grandson? His ancestor was the one who cut off hands when the workers in the plantations didn't bring in enough rubber.—

Emile put up his own hands in mutual admission of the sins of the great-great-grandfathers. —Awful things happened on this side of Africa.—

—Well, he made his country estate over here, didn't he …—

—It was only for a very short time. Then the other European powers got jealous, of course.—

—Of course. They were all the same family weren't they? Cousins, uncles and that… Him, the English queen, the German king … we were their family property, man. But they were a cartel, really … We were talking about multinational companies just now; what's new? Except that it's not aunties and uncles banded together to own us, now, it's foreign national economies. The extended family of the West …—

Here was a black man with whom one could talk of contentious matters in the European mode of scepticism and irony that makes communication possible between the social irreconcilables of power and powerlessness. In that mode, one can say anything, if one knows how to say it. The Ambassador, putting one arm round his beautiful wife and one round the girl: —I don't know about the other whites in your country, but this one—we love her—

She went to them (‘almost as if to parents' Marie-Claude remarked to her husband) and said she wanted to help the organization—clerical work. Never said right out that she was going away, leaving him; but the Ambassador knew her, knew it. He at once gave his wife a lead in generosity. —But Hillela can continue to live here. She has her room. We don't need it … there's no reason …— She did not stay on long. Just as well. It was not, after all, the right thing for the Embassy to open itself to complaints from her country that it was harbouring political dissidents from that country; wherever she went, it was not to diplomatic parties, now, and constantly in the company of the members of a banned organization.

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