Howl's Moving Castle (34 page)

“Are you a new kind of servant?” she said.

People always did ask strange things in dreams, Abdullah thought. “No, masterpiece of my imagination,” he said. “Know that I am really the long-lost son of a distant prince.”

“Oh,” she said. “Then that may make a difference. Does that mean you’re a different kind of woman from me?”

Abdullah stared at the girl of his dreams in some perplexity. “
I’m
not a woman!” he said.

“Are you sure?” she asked. “You
are
wearing a dress.”

Abdullah looked down and discovered that, in the way of dreams, he was wearing his nightshirt. “This is just my strange foreign garb,” he said hastily. “My true country is far from here. I assure you that I am a man.”

“Oh, no,” she said decidedly. “You can’t be a man. You’re quite the wrong shape. Men are twice as thick as you all over, and their stomachs come out in a fat bit that’s called a belly. And they have gray hair all over their faces and nothing but shiny skin on their heads. You’ve got hair on your head like me and almost none on your face.” Then, as Abdullah put his hand rather indignantly to the six hairs on his upper lip, she asked, “Or have you got bare skin under your hat?”

“Certainly not,” said Abdullah, who was proud of his thick, wavy hair. He put his hand to his head and removed what turned out to be his nightcap. “Look,” he said.

“Ah,” she said. Her lovely face was puzzled. “You have hair that’s almost as nice as mine. I don’t understand.”

“I’m not sure I do, either,” said Abdullah. “Could it be that you have not seen very many men?”

“Of course not,” she said. “Don’t be silly. I’ve only seen my father! But I’ve seen quite a lot of him, so I
do
know.”

“But don’t you ever go out at all?” Abdullah asked helplessly.

She laughed. “Yes, I’m out now. This is my night garden. My father had it made so that I wouldn’t ruin my looks going out in the sun.”

“I mean, out into the town, to see all the people,” Abdullah explained.

“Well, no, not yet,” she admitted. As if that bothered her a little, she twirled away from him and went to sit on the edge of the fountain. Turning to look up at him, she said, “My father tells me I
might
be able to go out and see the town sometimes after I’m married—if my husband allows me to—but it won’t be
this
town. My father’s arranging for me to marry a prince from Ochinstan. Until then I have to stay inside these walls, of course.”

Abdullah had heard that some of the very rich people in Zanzib kept their daughters—and even their wives, too—almost like prisoners inside their grand houses. He had many times wished someone would keep his father’s first wife’s sister, Fatima, that way. But now, in this dream, it seemed to him that this custom was entirely unreasonable and not fair to this lovely girl at all. Fancy not knowing what a normal young man looked like!

“Pardon my asking, but is the Prince from Ochinstan perhaps old and a little ugly?” he said.

“Well,” she said, evidently not quite sure, “my father says he’s in his prime, just as my father is himself. But I believe the problem lies in the brutal nature of men. If another man saw me before the Prince did, my father says he would instantly fall in love with me and carry me off, which would ruin all my father’s plans, naturally. He says most men are great beasts. Are you a beast?”

“Not in the least,” said Abdullah.

“I thought not,” she said, and looked up at him with great concern. “You do not seem to me to be a beast. This makes me quite sure that you can’t really be a man.” Evidently she was one of those people who like to cling to a theory once they have made it. After considering a moment, she asked, “Could your family, perhaps, for reasons of their own, have brought you up to believe a falsehood?”

Abdullah would have liked to say that the boot was on the other foot, but since that struck him as impolite, he simply shook his head and thought how generous of her it was to be so worried about him and how the worry on her face only made it more beautiful—not to speak of the way her eyes shone compassionately in the gold and silver light reflecting from the fountain.

“Perhaps it has something to do with the fact that you are from a distant country,” she said, and patted the edge of the fountain beside her. “Sit down and tell me all about it.”

“Tell me your name first,” said Abdullah.

“It’s rather a silly name,” she said nervously. “I’m called Flower-in-the-Night.”

It was the perfect name for the girl of his dreams, Abdullah thought. He gazed down at her admiringly. “My name is Abdullah,” he said.

“They even gave you a man’s name!” Flower-in-the-Night exclaimed indignantly. “Do sit down and tell me.”

Abdullah sat on the marble curb beside her and thought that this was a very real dream. The stone was cold. Splashes from the fountain soaked into his nightshirt while the sweet smell of rose water from Flower-in-the-Night mingled most realistically with scents from the flowers in the garden. But since it was a dream, it followed that his daydreams were true here, too. So Abdullah told her all about the palace he had lived in as a prince and how he was kidnapped by Kabul Aqba and escaped into the desert, where the carpet merchant found him.

Flower-in-the-Night listened with complete sympathy.
“How terrifying!
How exhausting!” she said. “Could it be that your foster father was in league with the bandits to deceive you?”

Abdullah had a growing feeling, despite the fact that he was only dreaming, that he was getting her sympathy on false pretenses. He agreed that his father could have been in the pay of Kabul Aqba and then changed the subject. “Let us get back to
your
father and his plans,” he said. “It seems to me a little awkward that you should marry this Prince from Ochinstan without having seen any other men to compare him with.
How are you going to know whether you love him or not?”

“You have a point,” she said. “This worries me, too, sometimes.”

“Then I tell you what,” Abdullah said. “Suppose I come back tomorrow night and bring you pictures of as many men as I can find? That should give you some standard to compare the Prince with.” Dream or not, Abdullah had absolutely no doubt that he would be back tomorrow. This would give him a proper excuse.

Flower-in-the-Night considered this offer, swaying dubiously back and forth with her hands clasped around her knees. Abdullah could almost see rows of fat, bald men with gray beards passing in front of her mind’s eye.

“I assure you,” he said, “that men come in every sort of size and shape.”

“Then that would be very instructive,” she agreed. “At least it would give me an excuse to see you again. You’re one of the nicest people I’ve ever met.”

This made Abdullah even more determined to come back tomorrow. He told himself it would be unfair to leave her in such a state of ignorance. “And I think the same about you,” he said shyly.

At this, to his disappointment, Flower-in-the-Night got up to leave. “I have to go indoors now,” she said. “A first visit must last no longer than half an hour, and I’m almost sure you’ve been here twice as long as that. But now we know each other, you can stay at least two hours next time.”

“Thank you. I shall,” said Abdullah.

She smiled and passed away like a dream, beyond the fountain and behind two frondy flowering shrubs.

After that the garden, the moonlight, and the scents seemed rather tame. Abdullah could think of nothing better to do than wander back the way he had come. And there, on the moonlit bank, he found the carpet. He had forgotten about it completely. But since it was there in the dream, too, he lay down on it and fell asleep.

He woke up some hours later with blinding daylight streaming in through the chinks in his booth. The smell of the day before yesterday’s incense hanging about in the air struck him as cheap and suffocating. In fact, the whole booth was fusty and frowsty and cheap. And he had an earache because his nightcap seemed to have fallen off in the night. But at least, he found while he hunted for the nightcap, the carpet had not made off in the night. It was still underneath him. This was the one good thing he could see in what suddenly struck him as a thoroughly dull and depressing life.

Here Jamal, who was still grateful for the silver pieces, shouted outside that he had breakfast ready for both of them. Abdullah gladly flung back the curtains of the booth. Cocks crowed in the distance. The sky was glowing blue, and shafts of strong sunlight sliced through the blue dust and old incense inside the booth. Even in that strong light, Abdullah failed to discover his nightcap. And he was more depressed than ever.

“Tell me, do you sometimes find yourself unaccountably sad on some days?” he asked Jamal as the two of them sat cross-legged in the sun outside to eat.

Jamal tenderly fed a piece of sugar pastry to his dog. “I would have been sad today,” he said, “but for you. I think someone paid those wretched boys to steal. They were so thorough. And on top of that, the Watch fined me. Did I say? I think I have enemies, my friend.”

Though this confirmed Abdullah’s suspicions of the stranger who had sold him the carpet, it was not much help. “Maybe,” he said, “you should be more careful about whom you let your dog bite.”

“Not I!” said Jamal. “I am a believer in free will. If my dog chooses to hate the whole human race except myself, it must be free to do so.”

After breakfast Abdullah looked for his nightcap again. It was simply not there. He tried thinking carefully back to the last time he truly remembered wearing it. That was when he had lain down to sleep the previous night, when he was thinking of taking the carpet to the Grand Vizier. After that came the dream. He had found he was wearing the nightcap then. He remembered taking it off to show Flower-in-the-Night (what a lovely name!) that he was not bald. From then on, as far as he could recall, he had carried the nightcap in his hand until the moment when he had sat down beside her on the edge of the fountain. After that, when he recounted the history of his kidnapping by Kabul Aqba, he had a clear memory of waving both hands freely as he talked, and he knew that the nightcap had not been in either one. Things did disappear like that in dreams, he knew, but the evidence pointed, all the same, to his having dropped it as he sat down. Was it possible he had left it lying on the grass beside the fountain? In which case—

Abdullah stood stock-still in the center of the booth, staring into the rays of sunlight, which, oddly enough, no longer seemed full of squalid motes of dust and old incense. Instead, they were pure golden slices of heaven itself.

“It was
not a dream
!” said Abdullah.

Somehow his depression was clean gone. Even breathing was easier.

“It was
real
!” he said.

He went to stand thoughtfully looking down at the magic carpet. That had been in the dream, too. In which case—

“It follows that you transported me to some rich man’s garden while I slept,” he said to it. “Perhaps I spoke and ordered you to do so in my sleep.
Very likely.
I was thinking of gardens. You are even more valuable than I realized!”

Chapter 3
:
In which Flower-in-the-Night discovers several important facts

Abdullah carefully tied the carpet
around the roof pole again and went out into the Bazaar, where he sought out the booth of the most skillful of the various artists who traded there.

After the usual opening courtesies, in which Abdullah called the artist prince of the pencil and enchanter with chalks and the artist retorted by calling Abdullah cream of customers and duke of discernment, Abdullah said, “I want drawings of every size, shape, and kind of man that you have ever seen. Draw me kings and paupers, merchants and workmen, fat and thin, young and old, handsome and ugly, and also plain average. If some of these are kinds of men that you have never seen, I require you to invent them, O paragon of the paintbrush. And if your invention fails, which I hardly think is likely, O aristocrat of artists,
then
all you need do is turn your eyes outward, gaze, and copy!”

Abdullah flung out one arm to point to the teeming, rushing crowds shopping in the Bazaar. He was moved almost to tears at the thought that this everyday sight was something Flower-in-the-Night had never seen.

The artist drew his hand dubiously down his straggly beard. “For sure, noble admirer of mankind,” he said, “this I can do easily. But could the jewel of judgment perhaps inform this humble draftsman what these many portraits of men are needed for?”

“Why should the crown and diadem of the drawing board wish to know this?” Abdullah asked, rather dismayed.

“Assuredly, the chieftain of customers will understand that this crooked worm needs to know what medium to use,” the artist replied. In fact, he was simply curious about this most unusual order. “Whether I paint in oils on wood or canvas, in pen upon paper or vellum, or even in fresco upon a wall depends on what this pearl among patrons wishes to do with the portraits.”

“Ah, paper, please,” Abdullah said hastily. He had no wish to make his meeting with Flower-in-the-Night public. It was clear to him that her father must be a very rich man who would certainly object to a young carpet merchant’s showing her other men besides this Prince of Ochinstan. “The portraits are for an invalid who has never been able to walk abroad as other men do.”